By playing the flame on the plate and quenching in the water when the colour were interesting I was able to gain a fair degree of control of at least some of the effects. As the temperature never really got that high, not enough to anneal the copper properly, I think this technique might have some application on larger copper sculptural forms.
The assorted ramblings, photo essays and work of a British born , classically trained, Japanese Metalwork artist living in Torquay, England.
Wednesday, 28 September 2011
Alchemy - varieties of heat induced patina effects on copper.
By playing the flame on the plate and quenching in the water when the colour were interesting I was able to gain a fair degree of control of at least some of the effects. As the temperature never really got that high, not enough to anneal the copper properly, I think this technique might have some application on larger copper sculptural forms.
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